Approximately 40,000 Images and Multimedia Projects Were Submitted from Nearly 100 Countries
Columbia, Mo. (March 2, 2018) — The judging process for the 75th annual Pictures of the Year International competition has been completed, and the winners announced. For 2018, nearly 40,000 images and hundreds of multimedia projects were submitted.
Every year, seasoned photo editors and photographers from around the world donate their time to review every entry over a three-week period of judging. The process is an intense one, often described as “thrilling but exhausting.”
For the first time, POYi held the majority of its judging via Facebook Live. The broadcast reached nearly 600,000 people, and more than 130,000 online visitors have watched the videos created from the judges’ discussions, still available on the Pictures of the Year International Facebook page.
For incoming director and University of Missouri alumnus Lynden Steele, BJ ’52, POYi provided an opportunity for a return to familiar territory: “I volunteered with POYi as an undergrad and have watched the contest as a professional evolve over the years,” said Steele. “My favorite part of POYi is when the judges talk about the entries with each other. They bring real insight to bear on the work. I’ve been working as a photographer and editor for about 25 years and, after watching and listening to the judges, I can say I’m a better editor now than I was a month ago.”
POYi judges selected nearly 200 winners across 36 categories, with work ranging from a single photograph to long-term multimedia projects. A complete listing of all categories and winners is available by visiting the POYi website. Prizewinners of note include:
- Adam Ferguson, who was named “Photographer of the Year.” Ferguson’s portfolio includes stories from Australia’s outback and a portrait series of women who were forced to carry suicide bombs by Boko Haram. His work was published by The New York Times.
- Magnus Wennman, staff photographer of the Swedish newspaper Aftonbladet, who was named “Newspaper Photographer of the Year.” Wennman’s portfolio includes a longterm project about the friendship between two homeless men and another one on starvation in the Sudan.
- Katie Falkenberg of the Los Angeles Times, who was named “Multimedia Photographer of the Year.” Falkenberg’s portfolio consists of video pieces ranging from an intimate look at one man’s passion to the realities facing people in two towns, both affected by the same business when it left one and moved to the other.
- Mizzou alumna and the director of photography at National Geographic Sarah Leen, BA ’74, along with the magazine’s editing staff, who took home the “Angus McDougal Overall Excellence in Editing Award.” Named for a longtime J-School faculty member, the award is a traveling Tiffany trophy engraved with the name of the winning publication.
- TIME Magazine, who won the “Documentary Project of the Year” category with “Firsts,” a web-based presentation about groundbreaking women” “The goal with ‘Firsts’ is for every woman and girl to find someone whose presence in the highest reaches of success says to her that it is safe to climb, come on up, the view is spectacular.”
- Freelancer Scott Brennan, who won the “Community Awareness Award” for his work covering how two towns faced down violence: “(The two municipalities) have asserted their own, local grassroots governments as a direct response to the violence plaguing Mexico.”
Pictures of the Year International will be celebrating its 75th year with an exhibit opening at the Newseum in Washington, D.C., on Friday, April 6. The exhibit will run through Jan. 20, 2019. A photo day, including speakers and activities, will be held at the Newseum on Saturday, April 7.
Created in 1944 at the Missouri School of Journalism as The First Exhibition of Spot News and Feature Photography, founder Cliff Edom intended to recognize newspaper and magazine photographers on the World War II home front. It has since evolved into an international competition with more than 40,000 entries annually. It became affiliated with the Missouri School of Journalism’s Reynolds Journalism Institute in 2008. Ethical visual reporting and in-depth storytelling are the hallmarks of these awards, with an educational program that consistently represents “the gold standard” in photojournalism. POYI receives financial support from RJI and photographers, editors and publications who enter the annual competition as well as the POYi Endowment.
The Missouri School of Journalism’s Reynolds Journalism Institute opened its doors in 2008 with the mission of strengthening democracy through better journalism. It serves as a research and development hub for the Missouri School of Journalism and forms close collaborations with industry partners that often leverage the enthusiasm and expertise of students and professors. RJI serves as the headquarters for the Pictures of the Year International competition.
Updated: August 15, 2019